The Two of a Mind Quartet is co-lead by saxophonists Chris Biscoe and Allison Neale and I had the pleasure of hearing them live at Southampton Jazz Club on Tuesday, 16 April, 2019 – off the quartet only Chris Biscoe was an unknown quantity to me.
The evening was to be largely built around the band’s interpretations of the work of Gerry Mulligan and Paul Desmond and in particular the albums Blues in Time and Two of a Mind. The first set began with Allison Neale counting them in on “Standstill” with all players taking a solo at some point. What struck me immediately was the the wonderful musical interaction between Chris and Allison whether playing in unison, harmony or counterpoint.
The next tune was the title track from the 2016 album release Then and Now and this really did swing. There was a really nice extended solo from Allison before bass player Jeremy Brown showed us all what he was capable of. “Easy living” was next with a bowed bass opening. This is a blues number and Chris’ baritone sax really shone on this one, enhanced by the subtle playing of Allison on alto.
“Line for Lions” (a Mulligan and Getz number) was another swinger with alternating playing between the two saxophonists broken up by some fine drum work from Matt Fishwick. Matt’s drumming was brought to the fore on the closing number of the first set where he and Jeremy Brown got to play off each other to great effect.
“How Deep is the Ocean”, as arranged by Allison Neale, kicked off the second set with the Chris Biscoe penned “Rest Easy” following on – both these tracks can be found on the aforementioned album release. Next came the Hoagy Charmichael tune “Skylark”, which for me was the tune of the evening.
Chris had only been listed as playing the baritone and alto sax but for “Skylark” he used the alto clarinet. This is not a familiar instrument in this country and I really don’t understand why not – as I had not seen, or heard this instrument before I had to ask Chris what it was. The tone is beautiful, warm and rich and brought something different to this well known and well loved tune. Unfortunately the alto calrinet does not appear on the Then and Now album but can be heard on another of Chris’ albums Profiles of Mingus.
Victor Herbert’s “Indian Summer” followed with a very subtle Bossa Nova beat from Matt Fishwick. “The Way You Look Tonight” was the penultimate tune of the evening and this was where Matt was really allowed to let rip with an extended drum solo – such a lot of drumming with minimal movement. The second set, and the evening, ended with the Gerry Mulligan composition “Blight of the Fumble Bee” a great number that the band appeared to enjoy playing as much as the audience enjoyed hearing it.
This was an evening of well written music played very well by musicians who engaged with the audience and each other. The MC for the evening commented that Allison Neale, when not playing, was smiling in appreciation throughout the gig and that was infectious. The following morning the first CD in to the player was Then and Now and while no studio album can match a good live performance it was still good to hear a number of the tunes again … and again.