The quiet pianist

John Horler

Until I heard John Horler perform at Southampton Jazz Club, he was depping for another player at the last moment, I have to admit to not being aware of him or knowingly having heard him play before. I very much enjoyed what I heard and saw that evening so, of course, just had to check him out further.

As it would happen John had released a solo album, john horler solo piano free and easy, on the Trio Records label, 2018. Normally I would have checked the album out before putting in an order but on this occasion I didn’t, I just took a punt: I was not disappointed.

There are thirteen tracks on this album, five of which are free pieces. These free pieces are short, nothing more than two minutes, but they are complete and a joy to listen to. John’s touch is delicate, thoughtful and he gives the notes he plays room to breathe.

The second track on the album is dedicated to his wife Poppy, who commissioned the album. “piece for poppy” is a beautiful composition played with a sense of reflection, a piece I could happily push the repeat button on as the more one listens the more is revealed – I also wonder what a piece dedicated to me might sound like.

There are no weak tracks on this album but listening through again I really enjoyed “beija flor” written by Nelson Cavaquinho. Having said that I only had to move on a couple of more tracks and Neal Hefti’s “after supper” is played and I think maybe that is the track I should be highlighting. The real joy of this album is John’s beautiful understated playing that grabs you from the outset and does not let you go until the last note of track thirteen. The quiet pianist of British Jazz should be listened to, enjoyed and shared.

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