Southampton Jazz Club has moved venue, again, to the CoCo Bar & Lounge and saxophonist Christian Brewer + The Marco Marzola Trio were the first act to play there for the club audience. I have to say that I was not familiar with the sax player or the trio, all of whom are Italian, that supported him but as they were playing a tribute programme to the music of Duke Ellington and Billy Strayhorn I knew I would at least know some of the numbers to be played.
They opened the first set with Satin Doll, a jazz standard written in 1953, with Christian Brewer on alto sax. The rhythm section were very good, tight, swinging, and clearly a section that have played a lot of hours together. This was evidenced further on the second tune, Johnny Come Lately, where the trio were so together it was like hearing one musician play three instruments.
The second tune was also when we got to hear the first drum solo of the evening before moving on to a sparing match between drummer and saxophonist, both which were a joy to hear. The first set moved on through Daydream, soulful; A Flower is a Lovesome Thing with its beautiful opening sax solo, before coming to an end with Take the A Train, one of Strayhorn’s most well known tunes that did not suffer from over familiarity.
The second set opened with U.M.M.G where drummer Lele Barbieri played everything on his kit as well as the body of Marco Marzola’s double bass and looked as if he were thoroughly enjoying doing so as well. After Isfahan the group moved on to Raincheck. Pianist Nico Menci opened the proceedings gently before the tempo increased and we were treated to another drum solo. I am not sure why but the band really came to life on this number, not that they were slumbering before, and the audience reacted very positively to this.
Little African Flower followed with a beautiful drum solo opening. The bass of Marco Marzola and Christian Brewer’s soprano sax then joined in with Nico Menci filling out the sound on piano. This was the stand out number of the evening for me: the playing was simply stunning with each musician playing their own part in bringing this tune to life.
The second set concluded with In a Sentimental Mood followed by Things Ain’t What They Used to Be. Both well known tunes that seemed fitting for this band’s tribute to the music of Duke Ellington and Bill Strayhorn. I then got the opportunity to ask Christian Brewer if this band had recorded: “not yet” was the answer.
On the evidence of this evening’s showing the band, in my opinion, ought to record their tribute project. I must also mention that Lele Barbieri gave a masterclass in drum solo. I am not usually a big fan of the drum solo but this guy was captivating and a joy to hear and see play.